Thursday, December 01, 2022

The First Cut


Last night I sat in front of my computer, my hands clasped in my lap, and tried not to throw up. I honestly hadn't felt that nervous in such a long time, if ever. I felt clammy and anxious and like the world was seeing everything inside of me: my guts, my heart, my brain. 

It was terrifying. 

So what was I doing last night? 

Oh, just watching the first cut of my directorial debut, the short film LAUGHING AGAIN. 

Remember the eight months of work I mentioned back in my last blog on this project? Yeah, we're up to 12 now. We've been working on this project for almost an entire year. And I say we because this isn't just me, it isn't just the actors, it isn't just Ayelette. It's so many people. And for the last few months it's been our director of photography turned editor, Tyson. He's been sculpting our hours and hours of footage into the 12 minutes and 3 seconds of what he sent me last night.

So what's next you might ask? 

Well...now I get to work. I have to watch the cut a million more times and Tyson and I will make notes and changes and add stuff and take away stuff. We'll make sure the sound is perfect and the color is exact and that shot with the boom mic dipping into it gets replaced. We'll figure out the transitions and the music and the credit sequence and the title card. We'll make so many little decisions. Tyson and I will work together for a few more months. And then, God willing, we'll lock picture! 

That's when we'll have a short film that's ready to go out into the world. That we can show to everyone we know, and everyone we don't. That we can submit to festivals (Ayelette and I have been working on festival submissions since August) and premiere to audiences.

In the meantime, I need to get back to work. I need to watch the cut again. Am I still nervous? Maybe even more so. You know that feeling you get when you ride a roller coaster for the second time? After you already know what's coming? And the anticipation is more intense than the experience itself? That's where I am -- on that rollercoaster.

But it's an amazing ride. I'm so proud of the work we've already done together, and excited for what's to come. I love this story, and even if it's scary to put my work out there for the world to see and hear, I'm ready to do it. Stories are meant to be told, and we're about to tell this one!

Monday, November 28, 2022

My Advent Devotion

 Isaiah 40:1-5

Prepare ye the way of the LORD; make his paths straight…Every valley shall be lifted up, and every mountain shall be made low; then the glory of the LORD shall be revealed.”

 

In the note next to this passage in my student Bible it says that beginning in this passage, Isaiah’s emphasis has moved toward comfort and that comfort will ultimately come through God’s arrival, which we should prepare for. That one word stuck out to me as I read the passage and the note over and over: comfort.

 

I used to think of my faith as comforting. I fell back on it in times of celebration or concern, in times of stress or skepticism. The words on the pages of my Bible comforted me. My prayers comforted me. Worshiping comforted me. But now, I’m not as comforted. I’m not as consoled when I pray. I have a harder time quieting my soul, voicing my prayers, lifting my praise. I definitely get the sense that I’m in this desert Isaiah describes, but I’m not so sure how to prepare the way for the Lord anymore.

 

Health issues. Employment issues. Creative issues. Political issues. Violence. War. Fear. Terror. All of this and more starts to untether us from our faith. To do the exact opposite of comfort us. And yet, we are directed to work harder, prepare more, raise up every valley, lower every mountain. 

 

That. 

Is. 

Overwhelming. 

 

All of it. 

 

And yet, while I start to feel untethered, just by coming back to the Bible, by coming back to these words, by coming back to the shortest and least descriptive prayers I pray in the middle of the night, I know, deep down, that I am still tethered. We all are. We believe. We love because He first loved us. 

 

And so, we get to work. Even when we don’t want to. Even when we feel empty down to our soles. Even when we don’t have an inch left to give. We get to work. 

 

We know that God will always be there for us, even when we feel less than comforted. We know that God will always be there for us, even when we feel judged. We know that God will always be there.

 

And so, we prepare the way for Him. We open our hearts. We take another breath and the tiniest step toward him. And that is all we have to do. 

 

Preparation can be comfort. It can be a reminder that despite what the world around us might look and feel like, it’s what’s in our hearts that matters. Our love matters. God’s love matters. 

 

So, we prepare…because He’ll be back. That baby always comes back to share His hope. Thank God, literally. 

 

 

Prayer:

Thank you, God. Thank you for the smallest, and the biggest, reminders of what you can do, of who you are, and of how you comfort us, day in and day out, even when we forget.  Amen. 

Saturday, October 01, 2022

Remembering Francis

2016, on the rooftop of Francis' new apartment building

In late November of last year, a woman named Remy called me from the LA County Coroners Office. It was a random weekday afternoon and as soon as she said her name and where she was calling from, my heart sunk. 

Then it broke. 

I knew what she was going to say before she said it. 

I had suspected it for a couple of weeks. 

The Halloween card and letter I sent him had been returned to me. I’d double checked the address. I pictured the lobby of the apartment building where I knew the bright orange envelope should have been slipped into it’s proper slot. 

But when I got the envelope back, I knew. I didn’t admit it, even to myself, but I knew. 

Francis was gone. 

Remy had a kind voice and took her time telling me what little information she had to share. He’d been found in his apartment, deceased. They’d gone through his things to find next of kin to contact and made some calls. I was on the list. It had taken longer to track me down because the envelopes they’d found only contained my name and address. 

Francis didn’t have a phone. I’d given him my digits a long time ago but they weren’t for his use. They were to give to a case worker, and eventually a friend, in case they needed to get ahold of me for him. He didn’t want a phone he said. He liked writing. He was a writer. 

His cursive was elaborate, his words filled pages of stationary, or just the small left-hand side of a post card. He’d mark up books and magazines to pass to me. This began when we first met. But I don’t know when that was. Was it the first day I visited Hollywood United Methodist Church? The first time I volunteered on a Tuesday passing out lunches and supplies to those in need? I cannot recall, and I’ve tried. Especially over this past year. 

But it doesn’t matter. Francis was just always there. Like a member of the family, because he was. Family.

Over the past decade or more, I’d come to know Francis, and he’d come to know me, Angela, my parents, and so many of my friends. We’d see him on Tuesdays and Sundays and send letters in between or when we’d travel. I sent him a postcard from London, telling him we were in his beloved homeland. He sent a postcard from up the coast near Santa Barbara where he often went with friends around Christmas. The postcard in December of 2020 told me how much they loved the molasses cookies we baked and packaged carefully and snuck out to our secret post office at night to mail in a terrible surge of the pandemic. We hadn’t seen Francis in person since March and those letters and postcards were our tether. The cookies were an extension of that tether. They were the cookies his mother used to make. I loved that he loved them.

Francis would pluck flowers, even roses, from front yards or who knows where, and present them to Angela and I on spring mornings in the breezeway at church. He didn’t often go into the sanctuary for the worship service, preferring to sit in the warm air and listen from afar. He did not seem to like to be confined, I figured out after a while. He’d lived on the street a long time. But eventually, he got an apartment. And it was as if he’d won the lottery. Everyone who knew him had won the lottery. We celebrated and shed happy tears. And we had a housewarming!

I’ll never forget sitting in that big half moon booth at Denny’s. Eating and laughing and celebrating. Then we made our way a few blocks down and found the apartment building. He showed us all around the studio as if it were the grandest palace he’d ever seen. And it was. Because it was his. It was perfect. I noted the dishrags Angela and I had knitted him being used as doilies on an end table, the scented soaps we’d gifted him displayed in the kitchen. Francis had an apartment. For the last six years of his life. That fact makes me cry again today.

Francis didn’t have an apartment when we first met. He’d come over to the United States from England at some point, though dates were fuzzy with him. He had a fiancee who we believe passed away and that was his transatlantic catalyst. He spoke of her, and his family, with fondness. He went to boarding school. His father was a teacher. He loved that Angela and I were teachers. He asked Angela about her kids every time he saw her. 

So many nights I sat in my living room, darning clothes, patching sweaters, teaching myself how to repair a jacket, all for Francis. He found out early on I could sew, and constantly had projects for me. He was always dressed so well and took such great care in the items he collected and I was happy to help him stitch a few things up. As I stitched, I always thought of him, him and his smile. That smile that never failed to appear on a Tuesday just before closing time or when I’d pull up to his home to pick him up for an appointment. 

He never failed to ask about my parents, he loved the winter hat mom knitted for him and wore it long into the warmer months. He wrapped the scarves she made him around and around his neck and grinned. He asked about other mutual friends and always had a clipping or a magazine for someone. He loved to read and watch old movies and he was a writer. Screenwriting brought him to Los Angeles. Though he never let on exactly what he was writing. 

In our letters in 2020 and early 2021 we discussed heading back to Denny’s once we got the all clear. He promised he’d get vaccinated, we did too. He said he had lots to keep him busy inside, always something to clean or read. He missed the library though. 

We sent him a book or two and we smiled whenever we’d get a note from him. Angela often read them aloud at the dinner table as she was the Francis handwriting whisperer (that teacher thing!). We all knew we’d be back to normal soon. 

But then that orange envelope came back. 

I have put off writing about Francis for almost a year. But today, on the one year anniversary of his passing, I forced myself to sit down and do it. 

I figure out my feelings, I figure out life, through my words, through my fingers on the keyboard. And I’d given myself too long to let all of that roll around in my brain. Some days I can pretend he’s not gone because we don’t visit on Tuesdays or Sundays anymore. I can just tell myself I’m waiting for the next letter. I’ll send more molasses cookies soon. 

But I know, because grief tells me, that that isn’t true. My heart is broken because he is gone. My grief is real. I cannot ignore that. 

The last three years have taken so much from us but one of the worst things is the ability for so many, myself included, to be in physical community with others. I miss being with my friends in person. I miss making new friends in person. I know times will change and life will resume for me eventually, as it already has for so many. But for now, for then, for what has happened, it is just this. 

Francis is gone. I will continue to mourn him. And I will never forget him. His smile, his laughter, his accent, his hugs, his letters, and most of all, his heart. 

Thank you for loving me and my family, Francis. Thank you for being a part of my family. 

I miss you. 

I will always miss you. 

Thursday, August 11, 2022

And that's a wrap!


Eight months of preparation. Three months of writing. Countless hours of studying, learning, making decisions. Creating a look book (the colors and design and actual visual look of what the film will be on screen), watching audition tapes, considering budget, buying props, making changes to the script, hiring crew, figuring out how to create a shot list, creating a shot list, lining the script for said shot list, blocking out shots in my house day after day, cleaning the house, individual meetings with the cast and crew, negotiating COVID protocols, worrying, stressing, being excited...

Eight months of work. 

And in 48 hours it was over. 

We began at 6:15am Saturday and we wrapped Sunday at 6:02pm! 

AND IT WAS AMAZING. 

Every single minute of it was exciting and fun and exactly what I had hoped it would be. Honestly, it was so much more than I had hoped it might be. We had a crew that showed up and WORKED. Many of them are union members and professionals and signed up to work on our project for reduced fees (or no fees), to support our project and our vision and women-led films and yet, they committed to the days like we were a big budget project. 

When I was asked this summer by a friend what a director's job is on set, I said leader. The director is the person who sets the tone, who gets everyone going, who builds momentum, and who creates the vision we will execute. And that's what I worked hard to do this past weekend. I started by gathering everyone early Saturday morning and saying two main things I wanted for our project: number one, that everyone be safe, and if they didn't feel safe, to come find me immediately, and number two for us to have fun. And I think we accomplished both of those things! 

I had a directing cheat sheet I'd cobbled together over the past few months and years, things I knew I should do day of, for every scene and every shot. And I did those for the first hour. And then things just came naturally to me, to all of us. We came together as a team and made it happen! 

Was it 102 degrees at one point, over 90 degrees INSIDE our house? Yes it was.

Were there mosquitoes everywhere? Yes there were.

Did the planes from Burbank's airport have me calling "CUT" more times that any of us would have liked? Yes they did. 

But...we persevered. 

I think one of the parts of the weekend, and of the job, that I was most surprised at, and want to learn more about but really found enjoyable all weekend was the juxtaposition of the technical side of storytelling and the art side of storytelling. Here was a story I'd written, characters I'd birthed in my brain, into a family, into a world, that I'd formed. And this weekend, real people inhabited those characters, became those people and that family, and moved into this world in a very real, tangible, way. Theses actors held hands and ate donuts and carried bags and got angry and broke things and laughed...all because of this story I created. To see the way those two sides came together, to see on a small (but very heavy) screen I wore around my neck (sometimes, again, it was very heavy) what these actors and crew members were doing was simply mind-boggling. 

I watched as our Director of Photography (DP) changed the look of the shot by rotating the camera lens. I marveled at how the visual of the whole scene softened when our PAs (shoutout to Abby and Jaime, family friends who ROCKED their jobs!) moved the lights and set up filters. I eavesdropped as two of our actors stayed in character between takes and crafted backstories so beyond anything I'd ever imagined in their commitment to doing their jobs at the highest level. I smiled every time I saw our COVID Compliance Officer (CCO) turn on the portable air purifier between scenes to keep us all safe. And then there was Angela...

She was promoted quickly from CCO (we hired another woman to fill the role) to AD (Assistant Director), the person who handles the logistics of running the set. Angela kept us going all weekend by ALWAYS knowing what was going on, constantly handing me a water bottle, being ready with the clapboard for every single take (which meant being in constant communication with the Script Supervisor), coordinating who went where, answering hundreds of questions, helping to frame shots AND move the patio umbrella about two dozen times. She did every COVID rapid test in the morning and then took hundreds of still photos and videos for us to use for social media. The weekend just didn't happen without her. 

And honestly, it didn't happen without every single person who was here. And who genuinely seemed pleased to be here at 6:15am on what was mostly her or his day off. And that's the fun of it. We all WANT to make cool things. We all WANT to tell stories that don't get told often enough. This particular story is about grief and post-traumatic growth and miscarriage and on Sunday at one point, a large group of us had the most amazing conversation about politics and health care and women and it was just...one of those things that only happens when people come together. When we do something instead of just pretending like we can't make a change or be a part of something bigger. 

Speaking of change, on Saturday at noon, a reminder went off on my watch. As soon as we finished the scene and broke for lunch I went to my bedroom and did exactly what one of my favorite directors says to do as a new filmmaker. I changed my socks. Ava Duvernay says change your socks at lunch each day and you'll feel like a new woman. And she was correct! I was hot and sweaty and at the same time tired and hyped but changing my socks, it felt exactly right. And then I was ready for the rest of the day.  

Are there other things I'd like to go back and change about our weekend? Yes! A hundred times yes! Cooler weather, more time to get different shots, more time with the actors, a bigger budget, etc. And yet...I don't think I'd really change a thing. I know I'll be processing what we did for a long time. I'll write more about it at some point. And the job isn't done yet either. The DP (who now has his editor hat on) and I will begin the editing process now. We'll take the work that every single person did this past weekend and we'll distill it down into the best 10 or so minutes it can be. And then we'll send it out into the world. 

But for now? For now, I'm going to keep smiling. I'm still tired. My mind is still reeling from what we did, what I did. But I do know this for sure: I want to do this again and again and again. It was a hell of a lot of fun. 

#AWomanDirectedThat





Friday, June 17, 2022

To Make Something


A few years ago, maybe it was more, certainly not less but time is an odd thing anymore, I made a decision that I was going to direct a movie. My movie. 

I made this decision after a host of adventures in this industry, some good, some less than good, and then set about to learn everything I could about directing. 

I shadowed a well-known episodic director. I read books. I listened to podcasts. I attended roundtables and classes and screenings. I took classes. I signed up for programs and talked to other directors and actors. I directed a scene. I planned to direct more, to gather groups of friends and start the actual work of training. And then...well we all know what happened. Time became odd. Months morphed into years and here we are.

I didn't exactly give up on directing but when the pandemic hit I realized my project had to go on the shelf for a host of reasons. So I dove back into writing. I blogged daily. I wrote a new screenplay and another pilot. I wrote a novel. I started rewriting said novel. And then I got a text message.

It was in December, right before we were scheduled to go back home for Christmas. It was from my friend and former producing partner, Ayelette, of The Couch fame! She was thinking of dipping her toe back in the water of production. Was I interested? 

I was. I am. And so here we are. Six months later.

I've written a short film script titled Laughing Again

The script was years, then months, in the making. As most stories are for me. I write them all at once after I've been writing them my whole life. 

This year has been a whirlwind. It started with Dad getting sick and then Angela and I traveling back and forth to Michigan more than we ever do in a given year, much less in the span of a few months. It has been new and continuing waves of the pandemic that have created so much uncertainty and fear in so many ways but we've figured it all out. But when Ayelette and I first chatted on Zoom in December, I knew this was going to happen. I already had the central image of the film in my mind. I saw it as clearly as if it were already filmed. 

And it will be. Soon. Very soon. 

Yesterday, Angela and I took the training to become COVID Compliance Officers (CCOs) on film sets. We did this because the first week of August we'll be filming Laughing Again.

There's so much work left to do. But it's all falling into place and coming together and it's happening. 

This morning I received the first batch of taped auditions for the two roles we have left to cast. It was exhilarating to watch these women, to listen to these women, as they read my words. As they embodied the characters I created. As they brought to life, for just a few moments, this story I've seen only in my head and on some pieces of paper. 

Angela will be our CCO. A friend's daughter who wants to make movies is going to help us out on set. We'll film over the course of a weekend at our house. (Not the plan when we started but it seems meant to be now, #ClubCleon is going to be famous!) 

And I'm going to direct. 

Finally!

Recently, a friend asked if I was nervous about directing. And honestly? No. I thought I would be. And no, this isn't about hubris. I know I've only ever directed one scene in my life. And I'll mess up and I'll do it a bunch before I get better. But...I'm preparing. I'm learning. And I'm excited. I'm surrounded by people who are also excited to do this. To produce. To film. To make something. 

And I cannot wait to share that something with the world. Soon. So soon. 

In our pre-production days. On set. After. What an adventure. Let's go! 

#AWomanWroteThat
#AWomanDirectedThat 

Sunday, March 13, 2022

This Lenten Season

Today was my assigned day for the Lenten devotional for Hollywood UMC:


Philippians 3:17 – 4:1

Agree together, my friends, to follow my example. You have us for a model; watch those whose way of life conforms to it. 

 

Friends volunteering at the HUMC Tuesday Lunch in 2019

One of the losses I’ve grieved the most in the past two years is the loss of my in-person volunteering experiences. Yes, I’ve found ways to volunteer from home since the pandemic began but I have not been able to recreate the time spent in the company of the people I volunteered with. I miss them. I miss the conversations, the hugs, the smiles, the venting sessions, the tears, the community. I had friends at my sister’s middle school where I chaperoned dances and cleaned out filing cabinets. I had friends at Planned Parenthood where I folded letters and addressed en
velopes. I had friends at Hollywood UMC’s Tuesday lunch program. Friends who knew me, knew my family, friends who supported me in ways I didn’t even know I needed supporting. 

 

And it’s true, I still have those friends. The people are not gone. But the time we spent together, in close physical proximity, disappeared in the blink of an eye. I haven’t seen some of those friends in person in almost two years. I haven’t hugged them. I haven’t seen the lines around their eyes crinkle at a story. I haven’t sat quietly together as we worked. And that changes a person. That has changed me. 

 

However, that change isn’t all bad. In this Bible passage Paul instructs us to “keep track of those you see running this same course, headed for this same goal” (The Message) and I think about that when I think about these people I volunteered with. Whether we worked together at church or at school or somewhere else, we all worked for a common purpose, to help others. We gave of our time, our selves, for others, to others. These are my people, no matter where we are, what we are doing. And when I talk to them today (thank goodness for social media, telephones, and yes, good old-fashioned paper and stamps), I still know we are running the same course. Their lives, and mine, still show that and they are inspiration for me to keep going. We share our love for Christ, and our hope for this Lenten season, through our actions. Through our lives. I’m grateful for them. I’m grateful for Paul’s reminder to take note of those who conform to the model set before us. Lent is a good reminder to take time to recommit to sharing our love, and to creating community with those who strive toward that same goal. 

 

Dear Lord – Thank you for examples, whether they’re from Paul in Philippians or from people in our lives today. And please Lord, remind us that one day our communities will be able to be together in-person more and more. It is that hope, and your love, that sustains me, and so many others, through this particular Lenten season.